Skip to main content

Box 5666

 Container

Contains 4 Results:

Kellner, Altman. Musikgeschichte des Stiftes Kremsmünster. JAMS, p. 84-88, Spring 1961

 File — Box: 5666, Folder: 27
Scope and Content From the Collection: The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates: Spring 1961

Rameau, Jean-Philippe. Off-print of JMB's reviews of several Rameau editions. No publication information , undated

 File — Box: 5666, Folder: 27
Scope and Content From the Collection: The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates: undated

Schillinger, Joseph. The Mathematical Basis of the Arts. Scripta Mathematica, p. 81-87., March-June 1956

 File — Box: 5666, Folder: 27
Scope and Content From the Collection: The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates: March-June 1956

Schillinger, Joseph. The Schillinger System of Musical Composition. MLA Notes, p. 274-283. , June 1946

 File — Box: 5666, Folder: 27
Scope and Content From the Collection: The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates: June 1946