Box 5666
Container
Contains 39 Results:
A Geometrical Approximation of the Roots of Numbers. American Mathematical Monthly, p. 1-91, January 1957
File — Box: 5666, Folder: 20
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
January 1957
Irregular Systems of Temperament. Journal of the American Musicological Society (JAMS), p. 20-26, Fall 1948
File — Box: 5666, Folder: 20
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Fall 1948
Just Intonation Confuted. Music & Letters, p. 48-60, January 1938
File — Box: 5666, Folder: 20
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
January 1938
Music and Ternary Continued Fractions. American Mathematical Monthly, November 1948, p. 545-555, November 1948
File — Box: 5666, Folder: 21
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
November 1948
Musical Logarithms. Scripta Mathematica, p. 21-31, 1940
File — Box: 5666, Folder: 21
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1940
Nierop’s Hackebort. Musical Quarterly, p.312-319, July 1934
File — Box: 5666, Folder: 22
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
July 1934
The Persistence of the Pythagorean Tuning System. Scripta Mathematica p. 286-304, June 1933
File — Box: 5666, Folder: 22
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
June 1933
Pokorny Vindicated. Musical Quarterly, p. 38-58, January 1963
File — Box: 5666, Folder: 23
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
January 1963
The Principles of Greek Notation. JAMS, p. 1-17, 1960
File — Box: 5666, Folder: 24
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1960
The Texts of Billings’ Church Music. Criticism: a quarterly for literature and the arts, p. 49-61, Winter 1959
File — Box: 5666, Folder: 25
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Winter 1959