Box 5689
Container
Contains 4 Results:
Eyes So Tristful. SATB chorus, piano for rehearsal only. Text: H. W. Longfellow. 4 pages. [note: "Tristful" is correct], Undated
File — Box: 5689, Folder: 3
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Undated
Hark, Hark, Pretty Lark. SATB chorus, piano for rehearsal only. Text: H. W. Longfellow. 3 pages., Undated
File — Box: 5689, Folder: 3
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Undated
The Return of Spring. SATB chorus, piano accompaniment. Text: H. W. Longfellow. 8 pages. Some corrections., Undated
File — Box: 5689, Folder: 3
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Undated
She is a Maid. SATB, piano ad lib. Text: H. W. Longfellow. 3 pages., Undated
File — Box: 5689, Folder: 3
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Undated