Finocchio's Club ephemera collection
Scope and Contents
The Finocchio's Club ephemera collection consist of approximately .5 linear feet of memorabilia dating approximately from 1946 to 1957. Includes 2 programs with performers profiles and illustrations by performer and art director Li-Kar, 2 brochure menus, and 1 photograph.
Includes portraits with brief biographies of Frank Doran, Nicki Gollucci, Walter Hart, Bobbie Janson, Li-Kar, Milton La Maire, Gene Lamarr, Harvey Lee, Del LeRoy, Niles Marsh, Johnny Magnum, Freddie Renault, and Jerry Vaughn. Also includes portraits of Vaughn Auldon, Francis David, Ray Francis, John Lonas, Lestra La Monte, Francis Stillman, and the Nick Sterile and his Finocchio Four band.
Dates
- Creation: 1946 - 1957
Conditions Governing Access
The collection is open and available for research in the MSU Libraries Special Collections' reading room. For preservation and security purposes, researchers are limited to accessing one folder at a time.
Conditions Governing Access
The material is stored off site. Please request 5 working days in advance if you wish to use it.
Conditions Governing Use
Copyright is retained by the authors of the items in this collection, or their descendants, as stipulated by United States copyright law. For photocopy and duplication requests, please contact the Stephen O. Murray and Keelung Hong Special Collections, Michigan State University Libraries.
Biographical / Historical
Finocchio’s Club was a well known San Francisco female impersonator club, with a longevity of over 60 years. The first iteration of the club was as a speakeasy at 406 Stockton Street, and it was the improvised performance of a costumer impersonating singer Sophie Tucker as well as the excitement from the public which gave Joseph Finocchio the idea to incorporate female impersonator acts into the club.
In 1936 the club a police raid led to the arrest of five female impersonators along with Joseph Finocchio and his wife Marjorie. After the raid the club relocated to 506 Broadway Street where it remained until 1999 when it finally closed its doors. The move included not only bigger venue but also a larger troupe with acts that became so well known that the Hollywood celebrities these performers impersonated would visit the club.
Clubs like Finocchio’s were not necessarily established as gay bars seeking a gay clientele, instead they became popular by amping the production and glamour of the performances, which played into a voyeuristic source of amusement for tourists. At the same time, the inclusion of Asian and Latino performers, however racialized and exoticized, opened the door for a mix-raced audience.
The longevity of the club did not translate into a continuous golden era of female impersonation performances. Economic change and the fast pace of popular culture were among the contributors to the closing of the club.
A note on the term ‘female impersonators,’ a historical term used to describe male-identified people who took on a female persona, usually for entertainment purposes. The term precedes the term ‘drag’ but it can be seen as a contemporary analogous.
Extent
0.5 Linear Feet : 1 box
Language of Materials
English
Arrangement
This collection is organized in alphabetical order.
Immediate Source of Acquisition
This collection was purchased from a vendor in 2023.
Bibliography
Boyd, Nan Alamilla. Wide-open Town: A History of Queer San Francisco to 1965. Berkeley: University of California Press, 2003.
Finocchio's (Cabaret : San Francisco, Calif.). Finocchio's: America's Most Unusual Night Club. Hollywood, Calif.: A Zevin-Present Publication, 1960.
Finocchio’s collection - https://oac.cdlib.org/findaid/ark:/13030/c81j9hqc/
Stryker, Susan. “Finocchio’s, a Short Retrospective : Historical Essay.” FOUNDSF. Accessed September 3, 2024. https://www.foundsf.org/index.php?title=Finocchio%27s%2C_a_Short_Retrospective.
Processing Information
Eli Landaverde processed this collection in August 2024.
- Title
- Finocchio's Club ephemera collection
- Status
- 3 Ready For Cataloging
- Author
- Eli Landaverde
- Date
- 2024-09
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Latin
Repository Details
Part of the Stephen O. Murray and Keelung Hong Special Collections Repository