Box 2
Container
Contains 41 Results:
LA DICOTOMIA ENTRE EL CIELO & EL INFIERNO. PARTE 1
File — Box: 2, Folder: 53
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
. BURBUJA DE ALMOHADONES BLANCO
Item — Box: 2, Item: 54
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
DE LO QUE NO SE PUEDE HABLAR, HAY QUE CALLAR
Item — Box: 2, Item: 55
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
NICOLAS.
Item — Box: 2, Item: 56
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
TAI CHI, SUEN OS Y OTROS LABERINTOS
Item — Box: 2, Item: 57
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
VIVIR DE A DOS
Item — Box: 2, Item: 58
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
REFLEXIONES SOBRE EL ABORTO
Item — Box: 2, Item: 59
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
FRIEK IN CAROUSEL
Item — Box: 2, Item: 60
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
THE NATURE OF CHANGE
Item — Box: 2, Item: 61
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
TROPICAL PORN
Item — Box: 2, Item: 62
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015