Box 2
Container
Contains 41 Results:
NADA ES ETERNO
Item — Box: 2, Item: 65
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
MALEANTES #0-2.
Item — Box: 2, Item: 66
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
REVISTA GRAFICA MESTIZA #4
Item — Box: 2, Item: 67
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
LA VIDA ES UN RASGO DE TELA
Item — Box: 2, Item: 68
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
STREETJIZZ FANZINE
Item — Box: 2, Item: 69
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
MASKED
Item — Box: 2, Item: 70
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
UN LIBRO GENERICO
Item — Box: 2, Item: 71
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
PEQUEN O, MEDIANO, GRANDE
Item — Box: 2, Item: 72
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
DIE YOUNG
Item — Box: 2, Item: 73
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
THE AUSTRIAN OAK
Item — Box: 2, Item: 74
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015