Box 2
Container
Contains 41 Results:
DIE YOUNG
Item — Box: 2, Item: 73
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
THE AUSTRIAN OAK
Item — Box: 2, Item: 74
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
BENKOZ 1 & 2
Item — Box: 2, Item: 75
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
G, 2013
Item — Box: 2, Item: 76
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
Other: 2013
Matera vol 6-8, undated
Item — Box: 2, Item: 77
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
Other: undated
Graficamestiza, 2014
Item — Box: 2, Item: 78
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
Other: 2014
Big Sur vol 2-3, 2013
Item — Box: 2, Item: 79
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
Other: 2013
Whispers, undated
Item — Box: 2, Item: 80
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
Other: undated
Fanzine, 2015
Item — Box: 2, Item: 81
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
Other: 2015
Unabomber, 2005
Item — Box: 2, Item: 82
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
Other: 2005