Box 1
Container
Contains 44 Results:
PLAYTIME
Item — Box: 1, Item: 32
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
RELATOS INTRASCENDENTES
Item — Box: 1, Item: 33
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
HOMBRE CONTRA SOFA
Item — Box: 1, Item: 34
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
IRON FIST
Item — Box: 1, Item: 35
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
SOBRE EL AMOR
Item — Box: 1, Item: 36
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
1:1
Item — Box: 1, Item: 37
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
LA ALEGRIA DE VIVIR
Item — Box: 1, Item: 38
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
SOMOS DIFERENTES
Item — Box: 1, Item: 39
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
MAL DE OJOS #1
Item — Box: 1, Item: 40
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015
MARIA CLARA
Item — Box: 1, Item: 41
Scope and Contents
From the Collection:
Often associated with the underground music and counter-cultures, zines have become the format of choice for a number of independent artists and writers who seek an affordable and easily distributable means of self-expression. Zines are incredibly flexible, straddling both high and low-brow culture; lending itself to one or the other or both simultaneously. Clara-Iris Ramos' oversized "De lo que no se puede hablar hay que callar" uses supermarket receipts to reproduce one of Wittgenstein's...
Dates:
2000 - 2015