Box 5666
Container
Contains 39 Results:
Article: L. E. Waddington, draft and off-print: A Slide Rule for the Sudy of Music and Musical Acoustics., 1947
File — Box: 5666, Folder: 1
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1947
Article: G. H. Pohland: Binary Logarithms, 1931
File — Box: 5666, Folder: 2
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1931
Correspondence and articles with Gladys Watson Tipple; "Mercator slide rule", 1949 - 1950
File — Box: 5666, Folder: 3
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1949 - 1950
Correspondence, article, critique, notes on critique, Gerald E. Lee, March-July 1959
File — Box: 5666, Folder: 4
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
March-July 1959
Correspondence: Irwin Margiloff, Mary Black, re Barbour recordings, 2000
File — Box: 5666, Folder: 5
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
2000
Correspondence: John W. Link, Jr. and draft of his article on meantone temperament , January 18, 1963
File — Box: 5666, Folder: 6
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
January 18, 1963
Correspondence, miscellaneous: Joe Burns, letter and score of vihuela music, undated; Erwin Wilson, letter on 31-tone division of octave , 1962
File — Box: 5666, Folder: 7
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1962
Doctoral Dissertations in Musicology compiled by Helen Hewitt [mentions Barbour's Ph.D. dissertation], 1958, 1962
File — Box: 5666, Folder: 29
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1958, 1962
The Ithacan (Ithaca College): announcement of performance of "Hannele's Way to Heaven", music by "Dr. Barbour"., May 12, 1939
File — Box: 5666, Folder: 8
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
May 12, 1939
Poems, mostly for Mary - 2 copies, one leather-bound, one paper-bound; letter from Barbour's daughter Margie Humer, 1969
File — Box: 5666, Folder: 9
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1969