Box 5666
Container
Contains 39 Results:
Violin Intonation in the 18th Century. JAMS, p. 224-234, Fall 1952
File — Box: 5666, Folder: 25
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Fall 1952
Danielou, Alain. North Indian Music, vol. II: The Main Ragas. MLA Notes, p. 243., March 1955
File — Box: 5666, Folder: 26
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
March 1955
Gamberini, Leopoldo. La Parola e la Musica Nell’ Antichità. JAMS, v.XVIII, no. 1, p. 81-83., Spring 1965
File — Box: 5666, Folder: 26
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Spring 1965
Helmholtz, Hermann. Sensations of Tone, 2nd English edition, translated by Alexander J. Ellis. Scripta Mathematica, p. 81-87., March/August 1956
File — Box: 5666, Folder: 26
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
March/August 1956
Kellner, Altman. Musikgeschichte des Stiftes Kremsmünster. JAMS, p. 84-88, Spring 1961
File — Box: 5666, Folder: 27
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
Spring 1961
Rameau, Jean-Philippe. Off-print of JMB's reviews of several Rameau editions. No publication information , undated
File — Box: 5666, Folder: 27
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
undated
Schillinger, Joseph. The Mathematical Basis of the Arts. Scripta Mathematica, p. 81-87., March-June 1956
File — Box: 5666, Folder: 27
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
March-June 1956
Schillinger, Joseph. The Schillinger System of Musical Composition. MLA Notes, p. 274-283. , June 1946
File — Box: 5666, Folder: 27
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
June 1946
Review of book by J. Murray Barbour: Trumpets, horns and music. Published MSU Press; reviewed by J. Forrest Posey, Jr. no publicaton or date information. Also sheet of computations and citations of books on various brass instruments, probably used in Barbour's book., 1963 - 1964
File — Box: 5666, Folder: 28
Scope and Content
From the Collection:
The James Murray Barbour collection contains correspondence with numerous individuals, most notably with Gladys Watson Tipple, whose enthusiasm for dividing the musical scale into 53 intervals led to a year-long correspondence and the creation of a template slide rule. The collection also contains Barbour’s article for MGG (Musik in Geschichte und Gegenwart) and the preparatory work for that article, as well as numerous reviews and articles in the original journal issues. Other material...
Dates:
1963 - 1964